The visual studio

Worlds, made.
Details, noticed.

Selected images, studies and fragments. Synthetic work sits alongside photographs and the working archive — each identified on its own terms.

A seated figure in a dark uniform, geometric sunlight and a glass sphere. — **Theatre of light**Synthetic editorial image

A blond figure in an ornate coat beside a window. — **At the window**Synthetic portrait study

A close portrait with a camera, teal shadows and red light. — **The gaze returned**Synthetic editorial image

A painted figure looking over a coastal town and blue sea. — **A quieter world**Synthetic painterly study

A tuxedo-clad figure wearing sunglasses in a burgundy chair. — **After dark**Synthetic editorial image

An open notebook with handwritten notes and portrait drawings. — **The working page**From the personal archive

A coffee cup and saucer, a spoon and a paper packet on a sunlit table. — **Colour, found**Photograph from the personal archive

An illustrated editorial cover titled René Benko: The Man Who Sold Certainty. — **The Benko dossier**Editorial cover / iGulag

From stillness
to performance.

A character is more than a face. Posture, gesture, rhythm, costume and setting create the person within a scene. Image-making extends into video, choreography and the direction of synthetic performance.

Worlds, made.Details, noticed.

From stillnessto performance.

Worlds, made.
Details, noticed.

From stillness
to performance.