Veniamin Kostitsin-Tétérin / Work & practice
Explore the projects and working methods behind the portfolio: governed AI memory, evidence monitoring, parametric jewellery design, gemstones, multilingual music and visual direction.
Systems & tools
CTX Continuity addresses a practical problem in working with AI: the conversation ends, but the project, its decisions and the reasons behind them continue. My interest is in memory that can be inspected, corrected and carried between working environments.
Explore CTX ContinuitySystems & evidence
SeamWatch starts with a question: what observation would actually change a judgment? It brings the explanation, its evidence and the expected signals into one explicit watch, so that a stream of new information can be assessed against a stated model.
Explore SeamWatchJewellery & systems
GEMFORM connects my interest in gemstones with my work on practical design tools. Its starting point is a collection of stones with actual dimensions, followed by the settings, repeated elements and assembly logic needed to develop an object around them.
Explore GEMFORMObjects & materials
My jewellery work starts with looking: at colour, cut, proportion and what a material does in light. The design develops through those observations and through the practical question of how the object will be made.
Explore Jewellery & gemologyMusic & language
Music is one of the places where language, structure and character meet in my work. Opera, satire, multilingual wordplay and the dance floor belong to the same listening life, even when the resulting pieces occupy different registers.
Explore Music & performanceImages & performance
My visual work moves between observed moments and constructed scenes. Photography, synthetic editorial imagery and performance direction share an attention to light, gesture and character, while remaining distinct ways of making an image.
Explore Photography & visual directionPublishing & evidence
iGulag brings together editorial work, political art and publishing. My interest is in the relationship between an argument, the material that supports it and the form in which a reader encounters it.
Explore iGulag & editorial work